This zine brings together a series of early experiments and fieldwork conducted at the wetlands in London: sound diaries, sound-walking maps, copied patterns with corresponding sites, visual and score sketches, sculptural and printing tests, and improvisation documentation. These incremental practices collectively outline the beginning of my research journey. They function as a testing ground through which I could perceive and engage with the industrialised wetlands, exploring how their textures, rhythms, and ecological tensions might be translated into notational forms. In this sense, the zine operates as a preliminary laboratory record—an early site where the foundations of Ecosound Notation were first imagined and materially explored.

                                 ︎︎︎BACK               NEXT ︎︎︎